Been hitting the Chamomile Tea pretty hard to calm the ole stomach….
Reason I’m nervous? Not only is it my first writer’s conference, but I’ll be pitching to three agents. Never done it before. For the non-writers who might be reading this, I basically have about 8 minutes to verbally infuse that agent with a hot, burning need to read my manuscript. Can I say ‘Eeep’ again?
They say you should memorize about 3 to 4 sentences to pitch and that the agent will ask questions. Is that about right?
So I thought I’d indulge myself by running several by y’all. They say it also needs to sound conversational… So here it goes, FWIW:
A) MUST LOVE BREECHES is a completed 98,000 word time-travel romance. When a thoroughly modern American girl finds herself stranded in 1834 London, she must find a way home while navigating the pitfalls of London society, resisting her attraction to a hunky lord, and ultimately having to decide when her true home lies.
B) MUST LOVE BREECHES is a completed 98,000 word time-travel romance. It’s about a quirky modern American who has finally met the man of her dreams. There’s only one problem–he lives in 1834. She has sworn off ever doing the follow-the-boyfriend move again. But when she’s accidentally transported to 1834 London, she has a hard time resisting the hunky lord known as the Vicious Viscount. She wants to find the silver case that transported her through time so she can return to her carefully crafted life in the present, but when he asks her to pose as his fiancée for his own scheme of revenge, she ultimately has to decide when her true home lies. One of the fun things about it, besides the yummy hero, is that she is befriended by Ada Byron, Lord Byron’s daughter, and meets Charles Babbage, the inventor of the Difference Engine. I’ve tried for a light, humorous touch, while also exploring aspects of 1830s London that’s not typical: the scientific.
I know mentioning other characters in a pitch is usually bad, but the thing is, Ada Byron Lovelace is a major secondary character. She is one of the “high concept” things about the book. Whenever I mention she’s in it to someone who asks me what my book is about, they perk up with that bit. Also, it’s timely–Steve Job’s biographer’s next subject will be her. Folks into steampunk love Lovelace and Babbage.
I’ve tried to get my goal, motivation and conflict in each, my theme, and (B) also includes the Act One turning point.
I see (A) as my elevator/cocktail bar pitch and (B) as my actual pitch? Will I have enough time for B?
Some resources I found, if you’re faced with doing a verbal pitch session soon:
- How To Pitch To an Agent at a Writer’s Conference
- The Perfect Pitch: Pitching to Agents at a Writing Conference
- How to Pitch Your Book at a Writing Conference
- Pitch Prep: How to Write a Pitch – Jami Gold
- Writing Killer Loglines – Stina Lindblatt
- Make Your Next Writing Conference Pay Off Big Time
I’ve done my research on the agents, now I just need to nail down my pitch and memorize it. I’m also going into it with the attitude that the agent will know I’m nervous, it’s to be expected. Hopefully that will make me less nervous. I’m going to go in positive…
How about you? Do you have any advice? Are you going to the conference? Do you have any funny pitch stories to share?