I got an agent!! No joke.

I can finally announce the news officially that I’ve been hinting about in posts.

I GOT AN AGENT!

The news became official while I was out of town for Georgia’s Moonlight & Magnolia Conference so I could only announce my good news on my social networks. For some reason it won’t feel really official until I can post it on my blog (apologies to those who’ve already heard the news).

My agent! Maura Kye-Casella with Don Congdon Assoc.

I actually ended up with three offers of representation, but ended up going with the fabulous Maura Kye-Casella with Don Congdon, Associates. For those fellow sci-fi nerds out there, their founder discovered Ray Bradbury, how cool is that? In romance land, she represents Sophie Jordan and Colleen Gleason! It still feels a little surreal and that I’m talking about this happening to someone else.

I thought I’d share a little about how it all happened for those of you still seeking representation, so you can see that it can happen to you. Like I said last week, I have patience and hard work to thank for this moment. All three agents commented about how “clean and polished” my manuscript was, and that they could send it out on submission right now. Squeee! So if you read last week’s post, that’s what I was hinting at, that all that polishing paid off!

Two of the agents who offered were the two I pitched to at RWA, so there’s several lessons to be had there. One, to tie into last week’s post (again), thank God I didn’t give in to my impatience and send them those partials right when I got back from RWA. This is NOT, however, an endorsement of pitching an incomplete manuscript! That is soooo different from the phase mine was in. Anyway, onward with my list. Two, pitches do work! Both said during our phone calls that they remembered the pitch and were intrigued from the start. Three, do your homework on whom to pitch to. It wasn’t random, I don’t think, that this all fell out for me this way. When I got that list from RWA, I researched every single agent on that two page list and narrowed down my choices to the ones I thought were my best chance. Actually, this segues into: Four, get ballsy. I thought Maura was out of my league when I pitched to her and couldn’t believe I had the nerve to do so.

Anyway, this all started happening one week after I began querying. One of the agents I pitched to made me giddy by asking to have my partial converted to a full. I felt like if nothing else happened, I’d at least made that milestone–that an agent had seen the goods and STILL wanted to keep reading. The next night, I got my first offer (from a different agent), which left me stunned! I alerted the other agents who were considering me, to let them know and gave them a time frame to respond. Monday, the second agent (the one I pitched to and who had converted the partial to a full) offered and now I was reeling. Thursday, Maura emailed to say she’d finished, said some very nice things about MUST LOVE BREECHES, and wanted to set up a call for Monday (this past Monday). Now I’m on pins and needles, not knowing if she’d offer. Obviously, she did, and I couldn’t be more thrilled! This doesn’t automatically mean it’ll find a home with a publisher, but I’m one step closer and feel like I have the best advocate for me! For those non-writer friends reading this, most traditional publishers will not look at unagented manuscripts so this is my only way to get into their hands and on your bookshelves.

So this is not only me sharing my awesome news, but also my way of encouraging you. Yes, it CAN happen. I thought this day would never come. I’d read and heard all the doom and gloom about how hard it is to land an agent. But don’t give up. Every time I got a rejection, I picked myself back up again and kept going, knowing that others would not, so I envisioned it as an opportunity to move into thinner ranks. Many fine writers give up after only 5 rejections. Don’t be one of those. I wouldn’t be in this position if I’d done that. Instead of giving up in the Spring when I faced rejection, I realized my manuscript wasn’t quite ready and did another Beta round and then did all the hard work of polishing that puppy up!

Are you querying? Do you have any specific questions about my path? Do you have good news to share too?

Ready to Query? The Importance of Patience

I had a fellow writer friend ask my advice about the right time to submit to agents. She had everything mapped out admirably in her calendar, including sending it off to a freelance editor. She was doing everything right, except for one thing. She wanted to know if she could slot the query process into the same place in her timeline as when her book is with her editor. She’d heard how long agents could take and so thought she could telescope that part of the process.

This was back in May and I had done a short burst of querying at this point, enough to know this was a bad idea. I had an agent request a full in less than 24 hours. So I advised her not to do that. Sure, some agents can take up to four months to get to your query, but that’s not always the case, and don’t you want to be ready for those agents that are quick?

I started my full-press querying in the middle of last month (so almost three weeks ago) and again the experience bore out my advice and my own personal decision to wait until I had every little thing ready. Most agents are quick now, and from what I could tell on forums, if they’re interested they actually act faster. I had several ask for fulls within the same day!

It’s so hard to be patient but it really does pay off. The other part of patience I had to practice was during the polishing phase. I had all my Beta feedback returned in June and had incorporated all the changes and revisions before the RWA conference. It was so tempting to send off my conference partial requests then because I SO wanted to get this manuscript into the queue and move on. But fortunately (though I cursed it several times during the process) I saw a blog post around that time from Janice Hardy called The Spit Shine: Things to Check Before You Submit. I used it as a jumping off point, creating a two page list of “flag” words from her post and others. So for several months I entered into a Polishing Phase. I did a search for every word on that list and evaluated its usage. I probably trimmed 3000 words that way! Or sometimes the words helped me see I’d lapsed out of Deep POV, so I rewrote that bit. Then I did one final read through scrutinizing each word, each phrase to decide whether I really needed it. Was it redundant? Did it have any relevance to the story plot? If not, I deleted them. It was exhausting and numbing and several times I really wondered if this effort was worth it. It was like pulling teeth making myself do this, because this isn’t the fun stage of revisions.

I actually did get a little impatient at the end and began querying a few who didn’t need to see any sample pages on a Wednesday, which pushed me to finish the rest that weekend. So as I got through the first 30 then 50, I sent off my partials and began querying the rest on my list. I pushed through my reading and was ready to send out full requests by that Monday (and I had some already)!

Whew!

Was it worth the extra time and patience?

Oh, yeah! More on that next week :)

The important thing is: don’t rush. You spent so much time on your manuscript, why short change it at the end of the process? Agents are not your Beta readers. Are you querying right now? What are you finding in response times? Did you also have to fight your impatience during this phase?

Housekeeping note: I will be at Georgia RWA’s Moonlight & Magnolia Conference this weekend! If you’re going too, drop me a line. But this means there will be no regularly scheduled posts until next week.

Introducing a new site for authors to hone their project and attract agents: AuthorSalon

I’ve been heavily utilizing AgentQuery Connect to hone my query and synopsis and I highly recommend it. Yesterday, though, I was lurking in some of their forums and saw a post about a new social network called AuthorSalon and decided to check it out. Their tagline is: “Where writers work and network, and where agents and editors discover them.”

It is currently in their Beta phase and anyone who joins during that phase has a free membership for life. After this ends, which should be pretty soon, it will be 9.99/month. If you are on AgentQuery connect, the interface will be familiar because it’s either the same group of people or they hired the same web developer.

What attracted me even more was the structure and hard work required. So I decided to give it a go. Filling out their registration form is not the simple fill-in-the-blanks you’re used to. It took me about an hour, and I’d say that was on the fast side because I had a lot of the information they needed already developed. However, if you’ve not yet been forced to boil your plot down to one logline or even a 250 word summary, it could take a lot longer. It forces you to look at your work in a new way by getting down to the essence of the plot and conflict. This can ONLY be of benefit when you go to write your query.

I got approved by the time I got home from work, so I only had a short time to play around on the site and kick the tires. Unfortunately the membership seems to be on the weak side for romance, so I’m hoping some of my fellow romance writers will join. How it works is that the information you filled out on joining, which asks you for your logline, short synopsis, first 50 pages, a dialogue sample, a narrative sample, etc., becomes your profile which is now open for critique. You put out a call in their forum for peers at your level (which is In Production) and self organize about 5 people who will grade your profile. You also do the same to theirs. Through this process, you hone your profile until you feel like it’s pretty solid. You then call for a vote from your peer group, and if it passes, it moves up the chain to the staff. If they agree, you graduate to Editor Suite status and form a new peer group and get critiqued again. When you’re ready, you call for a vote and if it passes, a mentor will look at your profile and decide if indeed your profile is ready. If they agree, you graduate to Marquee status. At this level, agents and editors will be looking at your profile knowing you’ve done the hard work and due diligence to arrive there.

Anyone want to join me?

From their site, they freely admit that this will not be for the faint of heart. No one will coddle you. Here is their mission statement:

First, to make Author Salon a preferred source of discovery for literary agents, producers, and publishing house editors. Author Salon opens channels to professionals to keep them updated on desirable projects, and for those who wish to search, we provide detailed writer and project profiles, multiple search parameters, and lists of high-rated projects, thus enabling professionals to more quickly obtain a range of information, and in a manner conducive to productive decision-making.

Second, to create a 24/7 writers conference environ utilizing a criteria-based step by step workshop approach that includes a primary and upper level peer-and-pro review process, a separate two level review by Author Salon, additional forum-based draft workshops, as well as a final top level review on the part of seasoned peers and players in the publishing business. We tell the writer what works, what doesn’t work, and what needs to be developed further – while they can still do something about it – and before an agent or publisher shuts the door in their face.

Third, to sustain a suitable and pragmatic work space for the nonfiction and novel writing community that combines the technical advantages of a Facebook-like environ (instant chat, site mail, video embeds, etc.) with the content approach of Publisher’s Marketplace. In other words, Author Salon provides the communication and features technology the writer community needs while enabling easy access to a backdrop of publishing news, as well as writer resource and craft content.

Fourth, to make Author Salon a trusted source of tie-breaking, valuable information on fiction and nonfiction writing, craft, publishing, and book marketing that avoids the myths and sticks only to the facts.

If you need more convincing, here are the advisory agents and editors and here is a partial list of publishers and agents communicating with the staff about projects posted:

  • ATCHITY ENTERTAINMENT INTERNATIONAL
  • ANDREA HURST AGENCY
  • LARSEN POMADA AGENCY
  • KIMBERLY CAMERON AGENCY
  • GAIL ROSS AGENCY
  • THE RIGHTS FACTORY
  • SANDRA DIJKSTRA AGENCY
  • INTERNATIONAL CREATIVE MANAGEMENT
  • WILLIAM MORRIS AGENCY
  • SIGNATURE LITERARY AGENCY
  • RANDOM HOUSE PUBLISHING
  • PENGUIN GROUP USA
  • HENRY HOLT
  • HARCOURT BRACE JOVANOVICH

Up for it? Register here and then friend me! I’m AngelaQ